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Dr. Dre Announces Final Album, "Compton" ". BallerStatus.com. August 1, 2015. [ permanent dead link] Reid, Shaheem (April 5, 2010). "Dr. Dre Announces Jay-Z Collabo, 'Under Pressure' ". MTV News. Archived from the original on April 9, 2010 . Retrieved December 28, 2021. There should never be any substitute for honesty and integrity. An expert must know the scope of their role and their duty and be able to express and demonstrate that they are fulfilling it at all times in their work as experts. a b Light, Alan (August 8, 1991). "N.W.A.: Beating Up the Charts". Rolling Stone . Retrieved March 7, 2015.
N.B. Roughly 5% of all the men enlisted in Britain\'s armies during the war became infected with VD and five times more likely to be hospitalised than those suffering from Trench Foot/frostbite. Reeves, Mosi (June 29, 2017). "25 Greatest Songs Produced by Dr. Dre and Jimmy Iovine". Rolling Stone . Retrieved July 25, 2020.The Hospital Board pursued their quest to build and the Medical Board Minute book (Nov 2/17) shows: By 1996, Dre was again looking to innovate his sound. He recruited keyboardist Camara Kambon to play the keys on " Been There, Done That", and through Bud'da and Sam Sneed he was introduced to fellow Pittsburgh native Melvin "Mel-Man" Bradford. At this time, he also switched from using the E-mu SP-1200 to the Akai MPC3000 drum kit and sampler, which he still uses today. Beginning with his 1996 compilation Dr. Dre Presents the Aftermath, Dre's production has taken a less sample-based approach, with loud, layered snare drums dominating the mix, while synthesizers are still omnipresent. In his critically acclaimed second album, 2001, live instrumentation takes the place of sampling, a famous example being " The Next Episode", in which keyboardist Camara Kambon re-played live the main melody from David McCallum's 1967 jazz-funk work "The Edge". For every song on 2001, Dre had a keyboardist, guitarist and bassist create the basic parts of the beat, while he himself programmed the drums, did the sequencing and overdubbing and added sound effects, and later mixed the songs. During this period, Dre's signature "west coast whistle" riffs are still present albeit in a lower pitch, as in "Light Speed", "Housewife", "Some L.A. Niggaz" and Eminem's " Guilty Conscience" hook. The sound of "2001" had tremendous influence on hip-hop production, redefining the West Coast's sound and expanding the G-funk of the early 1990s. To produce the album, Dre and Mel-Man relied on the talents of Scott Storch and Camara Kambon on the keys, Mike Elizondo and Colin Wolfe on bass guitar, Sean Cruse on lead guitar and sound engineers Richard "Segal" Huredia and Mauricio "Veto" Iragorri. [167] Cohen, Rebecca. "Dr. Dre's estranged wife served him with divorce papers during his grandmother's funeral". Insider . Retrieved December 29, 2021.
Cohen, Jonathan (December 12, 2008). "Exclusive: Eminem Talks New Album, Book". Billboard. Archived from the original on December 16, 2008 . Retrieved December 28, 2021. Moss, Corey (April 12, 2002). "Dr. Dre: At home in the studio". MTV News. Archived from the original on June 11, 2002. Dr.Dre has said that his primary instrument in the studio is the Akai MPC3000, a drum machine and sampler, and that he often uses as many as four or five to produce a single recording. He cites 1970s funk musicians such as George Clinton, Isaac Hayes and Curtis Mayfield as his primary musical influences. Unlike most rap producers, he tries to avoid samples as much as possible, preferring to have studio musicians re-play pieces of music he wants to use, because it allows him more flexibility to change the pieces in rhythm and tempo. [171] In 2001 he told Time magazine, "I may hear something I like on an old record that may inspire me, but I'd rather use musicians to re-create the sound or elaborate on it. I can control it better." [172]Norm Macdonald/Dr. Dre". Saturday Night Live. Episode 24–3. October 23, 1999. NBC. Archived from the original on March 7, 2008.
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